La expresión que cada quien le da al cine.
Catching Elephant is a theme by Andy Taylor
I’ve no plans to call on you, Clarice.
The world is more interesting with you in it.
MAURICE (1987)
The Tree Of Life’s 11th anniversary ~ Malick’s magnum opus, musing on life & existence on a microscopic & universal scale, be it the birth of a child or the birth of a star, his images structured in flashes & fragments are both ravishing & profound, like watching a living memory.
everything everywhere all at once (2022) // in the mood for love (2000)
“All he’d wanted was the same answers the rest of us want. Where do I come from? Where am I going? How long have I got? All I could do is sit there and watch him die.”
THE BRIDE OF FRANKENSTEIN (1935) - dir. James Whale
The Tree Of Life’s 11th anniversary ~ Malick’s magnum opus, musing on life & existence on a microscopic & universal scale, be it the birth of a child or the birth of a star, his images structured in flashes & fragments are both ravishing & profound, like watching a living memory.
“In both the American and Japanese versions, the name of the little girl is connected to a story about death. The name ”Samara“ refers to a story retold by W. Somerset Maugham as ”Appointment in Samarra“, about a man who meets Death in the marketplace and flees to the town of Samarra.” | “Sadako was a fully grown woman in the Japanese original film and the novel when she had died. She was also sexually ambiguous and was heavily implied to be intersex in the novels. In this film, Samara is a child and quite clearly feminine.”Ringu (1998) | The Ring (2002)
The Sadness (2021) dir. Rob Jabbaz
The Tree Of Life’s 11th anniversary ~ Malick’s magnum opus, musing on life & existence on a microscopic & universal scale, be it the birth of a child or the birth of a star, his images structured in flashes & fragments are both ravishing & profound, like watching a living memory.